Occasional notes on thinking and practice.

#TeachingTalk & MOJO

This article is about how I took the principles of the emerging MOJO (mobile journalism) movement and successfully applied them to a new teaching job. I have tried to keep things short while providing enough detail to encourage like-minded people to do something similar. If I have missed anything please get in touch

In September 2016 I had the pleasure of returning to teach at Durrington High School in West Sussex. In the decade since i'd last worked there Sue Marooney and the team had accomplished some impressive educational feats - year on year incremental improvements across the board making it a place that both teachers and students seek out. I had the strong sense that I was participating in a teaching culture that punched well above it's weight. 

The MOJO movement

Glen Mulcahy and Marc Blank-Settle are two key figures encouraging traditional news and journalism institutions across the world to embrace the mobile phone revolution in their approach to producing broadcast materials. While there are tons of different approaches, the general idea is for news teams to embrace a lighter (more mobile) tech footprint while retaining excellent standards. 

My interest in this kicked off through the documentary work I had been doing exploring worldviews while teaching Religious Studies at another school. While I have a 'serious' film kit with a combination of fluffy obtrusive pro-microphones, these are cumbersome and require a certain amount of inflexibility. With this new approach to capturing material my equipment can be with me all of the time and deployed within ten minutes. I have provided some equipment/software details at the end to save boring some people senseless. I love you Fiona. 

#TeachingTalk enabled

After successfully trialling this new approach, Shaun Allison encouraged me to step out further and explore teaching practice across the school community. To date I have completed 23 'episodes' of #TeachingTalk that would have been virtually impossible without the flexibility provided by the MOJO set-up. 

What was the value of #TeachingTalk?

From a purely non-tech point of view there is tremendous value in making time to be open about your teaching and thinking. It breaks down the possibility of arrogant blind-spots and strengthens others who may have similar struggles. Andy Tharby explains here why choosing to talk is a healthy option for overworked conscientious teachers:

From a personal (more technically-minded) perspective, I think there are some terrific advantages to this project:

  • people (and their professionalism) are powerfully affirmed - I often felt that my interviewees were sharing important ideas and insights that are really worth hearing about
  • the interviewee develops their own convictions - in the clip above, Andy is right to say that the explaining/presenting of something always clarifies our own thinking
  • a clearer perception of what the wider teaching community is doing - this is where the power of technology is properly felt. It's reach counters that all-too-familiar sense of isolation and helps a wider audience to see how others are getting on
  • the sharing of good ideas and contextual thinking - yes you can't simply drop an approach on every context and expect roses to grow, but you can step into different contexts while reflecting on your own
  • if it is done well, it builds trust - my personal approach is to make it clear to teachers that nothing will be used without their permission. Being filmed (and then sharing this online) puts someone in a position of vulnerability, so it is important that those who are being captured are happy with how they come across. This is a potential minefield, but is definitely a path worth treading. Occasionally I have had to withdraw pieces (some which were amazing) because the people being filmed were unhappy. Occasionally I had to try and explain why the piece was really valuable and worth going along with. For this reason it is worth restating how appreciative I am of the colleagues who agreed to taking part in this project. 

With or without the equipment (and documentary-obsessed teaching staff) there should be no reason why schools aren't seeking to develop a culture of reflection and sharing. It's a healthy no-brainer. 

Now what about your MOJO set-up?

Currently I am using this equipment:



  • iPhone 7 Plus and FilmicPro - I consider myself fortunate enough to be able to have this expensive phone and it does the job brilliantly. I use a 256 gigabyte storage just in case. Occasionally I get near to filling it with 4k footage. It has the added advantage of being weather-resistant. I once shot some footage underwater and it worked beautifully. For the budget conscious - there are lots of other possibilities - the iPhoneSE is both compact and captures superb 4k material if needed. Filmic Pro is pretty much the standard recording app. It has lots of superb features that are genuinely useful. 
  • a Manfroto monopod and Glif/Shoulderpod grip - this works better than a tripod because a. it can move and b. the weight of the hanging arm creates a really handy balancing effect. I tried some gymbal systems but none of them worked that well - especially with a microphone which is crucial. Also note that I rarely use the monopod against the floor. Hanging is always better even if your arm gets a bit tired. Also the ability to extend it and reach extreme heights is awesome - like a selfie-stick on steroids. The Glif is recently new (and works superbly - particularly the quick release function) but I originally used the shoulderpod for ages - either are great. 
  • a flexible ball mount - this provides an immediate way of changing the angle for those occasionally different shots. I leave mine permanently attached to the monopod. The extra weight is worth it. 
  • on board and mobile microphones - I use the Zoom iQ7 with a RODE Deadkitten (Shaun Allison keeps calling it names that I don't really understand) as my default sound-capturing method. For remote recording I use an older iPod Touch with a Sennheiser Digital ClipMic. I usually record the remote audio using Ferrite - with a fully charged iPod I just set the recording going and can get up to an hour and half. 
  • Anker battery pack - there are lots of these around and they are very good indeed for portable serious battery back up. Never leave home without it. 
  • Lights - currently I don't bother with LED lights because the situation doesn't need it at the moment. 
  • Editing - if I was editing on the go I would use LumaFusion which is a seriously great mobile multitrack video editing tool. My own personal situation means that it is actually easier for me to important my footage onto a Mac and chop material using FCPX, which is the daddy as far as I am concerned. 

For those still here - what are the pros and cons?


  • having your equipment with you all the time means getting those opportunities which would otherwise not happen - capturing sensitive perspectives means having flexible mobile and unobtrusive kit. 
  • being able to make eye-contact and talk intimately takes a bit of practice but this set-up absolutely allows for it to happen relatively easily. If you have a look at the episodes produced, most of the people are making near-eye contact with the camera. This is an approach that Jonathan Demme popularised and Errol Morris swore by. 
  • shooting in 4k means that if you shoot stuff at an odd angle (which often happens because you have to really focus on the person not the shot) you can edit the sequence at 1080p and crop in/rotate the image with no discernible loss. 


  • mobile phones do not have the delicious flexibility of a zoom lens. This often feels like a major deal-breaker. When I am shooting stuff with my 'serious' camera I love the freedom to smoothly zoom in and out. BUT there is a way forward - if you shoot in 4k you can crop-in on the subject and actually get even closer still with no problems. It isn't the same and feels really different but creativity is all about working intelligently within the limits. 

All 23 episodes of #TeachingTalk can be watched here. If I have missed anything or if you have feedback then please get in touch

My workflow on the MELC 2 job

I really wanted to post some notes on my workflow for this project before term time hits again, so here goes:

What is MELC?

Making Every Lesson Count is a book that Shaun Allison and Andy Tharby wrote a couple of years ago. In essence, it is about teaching for teachers. It strikes that rare balance between everyday practice and bigger principles derived from research. The immense success of the book among the teaching community speaks for itself - it has sold upwards of 7,000 with at least two reprints. 

I got the opportunity to illustrate the book because I had developed a great working relationship with Andy illustrating lots of his blog posts. For some lovely unknown reason our visual-verbal chemistry just seems to work and so the door swung open when the book was being discussed. 

I loved this project because I was able to be the pretty pink icing on an already delicious cake. 

I loved this project because I was able to be the pretty pink icing on an already delicious cake. 

Now that the series has been developed into a range of subject-specific volumes I got another go at working with these guys. Over the last week I produced around 100 images for the next three books. What follows are some notes on my workflow - I hope that these are useful to you.

Manuscript Notes

For these I usually scrawl on a PDF of the manuscript using Notability. Doing this on an iPad in a pub allows the Author to talk freely as I highlight parts of the text and improvise ideas on the go. Notability is a workhorse for me - I have used it daily in my teaching for years now and it has rarely let me down. For multi-page annotation of PDF documents there is nothing better. 

Rough Pencils

I took the original notes and put this together - the linework is deliberately loose - produced in Clip Studio Paint and Astropad Studio (see below). 

Tidy Pencils

Getting a bit closer now - I create another layer and take a bit of time to tighten up the original strokes. Often I try and simplify things down to the essence.

Corrections and shading

This is the bit where my hand hurts and I need to go out for a walk before my body shuts down entirely.

Get on with the process chat, Ramjam

To create the final artwork, I used Astropad Studio via a large screen iPad Pro to draw these images in Clip Studio Paint. The experience was superb. 

Here is the set-up for this particular job:

Please don't tell me how poorly presented this image is.

Please don't tell me how poorly presented this image is.

Some notes:

  • Clip Studio Paint - this is cheap, quirky, reliable and brilliant for multipage natural media creation. Seasoned pro artists swear by it, and I am in complete agreement. I use it in combination with a carefully selected bunch of Frenden's natural media brushes. It is a great piece of software.
  • Astropad Studio - some people will moan about the price, but if you produce artwork professionally, this is a serious alternative to the Intuos-style screens. The key benefits (on this job) were:
    • having a two-finger tap for undoing strokes (Procreate-style)
    • being able to easily set up a bespoke shortcut menu which freed me from my mac keyboard for most of the process
    • the virtual zoom is a major advantage - I tended to keep the main image at 100% on the mac screen and then used the iPad as a virtual zoom tool. I found that this was very fast and efficient feature
    • the Apple Pencil as an input method is a killer move baby. The sensitivity and handling is even better than using Procreate natively on the iPad pro. I loved drawing in this way.
    • the iPad screen itself

Gone are the days where I used to worry about the gap between something drawn 'on the computer' or drawn 'by hand'. With this set up the discussion isn't relevant any more. 

If I missed anything or if you have any comments, please get in touch via email (saamvisual at gmail dot com), instagram or twitter.

Paper-Digital Workflow

The main issue with having a good creative workflow is being able to think and develop your ideas effectively. Over the years this has changed a lot for me personally, partly because the technology is different and partly because I am too.

In the past I had a tendency to overdo things and get a bit precious about every design element, but as I worked with a variety of editors/clients I realised that my best work tends to be more spontaneous. 

This doesn't mean that I’m not thinking about things, just that the end material is more instinctive and less self-conscious, which is where my preferred workflow comes in. 

I usually start with possibly the fastest medium available - a biro and sketchbook. I will scribble stuff out and often develop things across three or four drafts¹.

At some point I will then take a photo of this artwork with an iPad² and process the image using an app called Prizmo³. 

After this I will work mainly within Procreate using an Apple Pencil⁴ (and yes I have a set of particular brushes⁵). My approach with Procreate is to use it like an old-school lightbox - a manipulated template layer at the bottom with reduced opacity as a guide. Beyond this I will have a black ink layer, a couple of grey tonal layers (one of which usually using multiply mode) and then further colour layers (also set to multiply). I sometimes bring in other textured bits and pieces depending on what I am doing.

My mac is still useful - particularly when it comes to doing the heavy lifting of composite video work and some text-design-layout based activities, but increasingly I am finding the iPad a tool of choice. The flexibility combined with with the immediacy of a thought-based workflow is something I often have to pinch myself over. 

¹I will probably post something here soon about the use (and misuse) of a sketchbook, but for now I’ll just say that the dynamic of the viewing audience can ruin this most sacred institution. There are lots of flashy sketchbook samples posted online which are beautiful but vacant exercises. Well not exactly vacant - they look nice, and get lots of likes, but in the end my personal view is that a sketchbook is about externalising and developing thinking and reflection. These things don’t easily fit into something that the watching world understands or cares about and therefore should be kept under wraps unless there is a really good reason to share it. 

²Another note on the use of an iPad: there are a number of people online who refer to themselves as iPad artists, or iPhoneographers. I would gently warn against this kind of self-definition. While it is true that I tend to use Apple products 24/7 and depend on their services to teach and create stuff (students often associate me with some kind of spineless Fanboi), I think that it is important to distance yourself from your tools and remember that you are a creative person and these are tools to help you get the job done better. One day those tools will change or disappear and you will have to find a different method, so please think twice before you define yourself in this way. 

³If you haven’t seen or used this app I recommend it highly - I have been using it for years and it keeps getting better. You can ‘scan’ multiple page documents, process them and send them digitally. You can do surprisingly effective OCR with it, get it to read texts out and - in this instance - scan draft artwork and prepare it easily. It is also worth mentioning here the fact that the current camera on an iPad is now up to a superb standard, meaning that you just don't have to worry about taking reference images or scans of work. 

In the olden times I used a scanner a lot and would stitch together images using photoshop. Now all of this is virtually redundant - my scanner is somewhere collecting dust. 

⁴What can be said about this most wonderful development in the world of art-using technology? It is perhaps one of the greatest steps forward for me in recent years - the combination of iPad/Pencil and Procreate is very sweet indeed. Enough with the gushing. 

⁵If you look around the Procreate forum you can find a load of free brushes, discussions and some links to paid stuff. I won’t post any further details here because really this is about finding your own path and what works for you (which might take a long time!). Whatever you end up with, it is important to have a sense of conviction and ownership. Happy exploring.